February 16, 2024 · 9:53 am
Wellness by Nathan Hill is set in the 1990s when Jack and Elizabeth meet as college students amid a vibrant art scene in Chicago. The novel follows the ups and downs of their relationship over the next 20 years through to middle age when they are married with a young son. Jack is a photographer while Elizabeth works at a wellness lab specialising in using placebos to treat disorders. The character development is exceptionally detailed, although some of the deep dives about psychology and algorithms could have been a little more concise. Still, unlike most doorstopper novels which deal with complex social issues – ‘Wellness’ is a hefty 600+ pages – it doesn’t take itself too seriously thanks to Hill’s sharp eye for humour and cynicism. I enjoyed Hill’s debut The Nix a lot and his second novel doesn’t disappoint. Many thanks to Pan Macmillan for sending me a review copy via NetGalley.
All The Houses I’ve Ever Lived In by Kieran Yates examines the state of housing in Britain today through the 20 different properties Yates has lived in during her childhood and early adulthood. These include a terrace in Southall as a young child, a flat above a car showroom in Wales then back to London to live in student halls of residence followed by a depressing merry-go-round of private rentals. It’s a clever mix of personal memoir and nuanced reporting on the housing crisis. The farce of housemate auditions generates some amusing anecdotes, but also reveals a lot about how discrimination cuts across race, class and gender. Yates reveals in the final chapter that the advance she received for writing ‘All The Houses I’ve Ever Lived In’ enabled her to put down a deposit to buy a property with her husband. Ironically, the book itself is a timely reminder that fewer people are able to achieve home ownership or even feel safe and secure in rented accommodation.
I read One Day by David Nicholls in summer 2010 and revisited it ahead of the much anticipated Netflix adaptation. Emma Morley and Dexter Mayhew meet on the night of their graduation at Edinburgh University on 15th July 1988. They stay in touch as friends and the novel follows their lives on St Swithin’s Day each year over the next two decades while they navigate their 20s and 30s. Emma lacks self-confidence and is a waitress, a teacher and then a writer while Dexter comes from a more privileged background and becomes a TV presenter. The snapshot scenes usually explore the aftermath of major life events rather than tackling them directly. Apart from Emma’s boyfriend Ian, the supporting characters hadn’t stayed very clear in my memory, but That Ending certainly did, and although it wasn’t unexpected this time round, its impact is still keenly felt. I have watched the first six episodes of the Netflix series so far and am very much enjoying it, particularly because it is so faithful to the pacy dialogue in the novel.
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